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Tina reveals herself as a Boss Baby to Ted and gives them both magic pacifiers to visit Baby Corp. Ted arrives and Tim tries to explain to him that Tina is a Boss Baby and Ted just does not remember that he was one, too. The next morning, while the Templetons doing their daily routines, a helicopter arrives. However, Tina leaves a false voicemail for Ted, luring him to the Templeton's house. Tim refuses to call, saying that he will never come, and encourages Tina to go back to sleep. He discovers that Tina is a Boss Baby, just as Ted once was, and that she has been assigned to get Ted there for a special mission. Suddenly, he hears something from Tina's room.
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One night, a discouraged Tim wonders about the person his daughter is becoming, he goes to the attic, where he finds his old toy from 30 years ago, Wizzie, who's at first happy to see Tim again, but angry that he stuffed him in box. Tabitha is exhibiting more grown-up behavior, leaving his father very disheartened.
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Tim's younger brother Ted is now a successful CEO and is never around, instead sending lavish gifts to Tim and his family. Set 30 years after the events of the first film, Tim Templeton is now fully grown and lives with his wife Carol and their two daughters, 7-year-old Tabitha and infant Tina. "Building on the success of the first film, which earned more than $500 million worldwide, The Boss Baby: Family Business is directed by returning filmmaker Tom McGrath and is produced by Jeff Hermann. Erwin Armstrong, it will reunite the Templeton brothers in unexpected ways, leading them to re-evaluate the meaning of family and discover what truly matters. When Tina reveals that she’s a top-secret agent for Baby Corp on a mission to uncover the dark secrets behind Tabitha’s school and its mysterious founder, Dr. Tabitha, who’s at the top of her class at the prestigious Acorn Center for Advanced Childhood, idolizes her Uncle Ted and wants to become like him, but Tim worries that she’s working too hard and is missing out on a normal childhood. Tim and his wife Carol live in the suburbs with their daughter Tabitha, and new infant Tina. But a new boss baby with a cutting-edge approach and a can-do attitude is about to bring them together again and inspire a new family business. Tim is now a married dad, and Ted is a hedge fund CEO. Alec Baldwin is returning to voice the title character, with James Marsden, Amy Sedaris and Jeff Goldblum joining the voice cast.Tim and his little bro Ted have become adults and drifted away from each other. “The Boss Baby,” released in 2017, was commercially successful, generating more than $500 million at the global box office. “Families are at the heart of our decision today to make DreamWorks Animation’s ‘The Boss Baby: Family Business’ available to everyone this July Fourth weekend, and to give those families the freedom to choose whether to see this joyful, hilarious and heartfelt film from a big-screen theater seat or from the comfort of their own homes on Peacock,” said Jim Orr, Universal’s president of domestic distribution. Since April of 2020, NBCUniversal says more than 42 million people have signed up for Peacock. The hybrid release model for “The Boss Baby 2” isn’t expected to be Universal’s new way of doing business, but rather a boost for Peacock ahead of the Olympics in late July. It later put the DreamWorks pic “The Croods: A New Age” on demand shortly after it debuted in theaters, where the kids’ film became a pandemic-era hit with $168 million in worldwide ticket sales. So far, that method has proved to be lucrative for Universal. Yet shortly after the “Trolls World Tour” debacle, the studio made nice with theaters and forged a historic agreement to put new movies on premium video-on-demand platforms after 17 days. At that time, all indoor theaters were shuttered to help stop the spread of COVID-19. In what feels like a lifetime ago, theater owners threatened to boycott Universal’s movies last year after the studio decided to put “Trolls World Tour” in cinemas and on demand on the same day. Though the box office has begun to shown signs of life, film exhibitors are still reeling from prolonged theater closures and the onslaught of release date delays that followed. However, they aren’t in much of a position to refuse new movies. Theater operators, of course, have the option of whether or not to play the movie.